在曼谷的摇滚亚文化中,通过自己动手的实践和价值观来建立社区

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Pablo Ramirez
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引用次数: 0

摘要

这篇文章介绍了曼谷摇滚亚文化成员的行为和价值观。要理解摇滚乐实践在特定地点的特定表现形式,首先需要分析它与其他更广泛的摇滚乐亚文化群体的异同。它们是如何相互联系并保持区别的?为了回答这个问题,我们调查了四个共存于曼谷城市的摇滚场景,它们是:金属、朋克、硬核/直核和摇滚。通过分析这些场景背后的人物,我们可以理解这些音乐场景的参与者所面临的联系和冲突,以及他们在围绕独立音乐发展的亚文化社区建设中的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Community Building Through Do-It-Yourself Practices & Values in Bangkok’s Rock ‘n’ roll Subculture
This article presents the practices and values among members of Bangkok’s rock ‘n’ roll subculture. Understanding a particular manifestation of rock ‘n’ roll practices, in a specifiscene and location, needs to begin with an analysis of both the similarities and differences it has with other, wider rock ‘n’ roll subcultural groupings. How do they relate and remain distinct from each other? In order to answer this question, four rock ‘n’ roll scenes cohabitating in Bangkok city are investigated, they are: metal, punk, hardcore/straightedge and rock. By analyzing the people behind these scenes it is possible to understand the ties and conflcts faced by the participants in these music scenes and their roles in the construction of a subcultural community evolving around independent music.
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来源期刊
Journal of Urban Culture Research
Journal of Urban Culture Research HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
40.00%
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0
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