{"title":"让人印象深刻。记忆、物质和心灵","authors":"H. Hrachovec","doi":"10.14361/transcript.9783839418000.75","DOIUrl":null,"url":null,"abstract":"This paper will set out a dualistic pattern, exemplified by (1) a neurobiological account of memory and (2) a short segment of the work of an Austrian avantgarde film-maker. This segment is chosen to simultaneously show a possible proximity as well as the presumable incompatibility of neurological and artistic approaches. The inevitable question of how those points of view relate to each other is taken up in the final section.","PeriodicalId":38332,"journal":{"name":"Mind and Matter","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2011-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Impressive. Memory, Matter and Mind\",\"authors\":\"H. Hrachovec\",\"doi\":\"10.14361/transcript.9783839418000.75\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper will set out a dualistic pattern, exemplified by (1) a neurobiological account of memory and (2) a short segment of the work of an Austrian avantgarde film-maker. This segment is chosen to simultaneously show a possible proximity as well as the presumable incompatibility of neurological and artistic approaches. The inevitable question of how those points of view relate to each other is taken up in the final section.\",\"PeriodicalId\":38332,\"journal\":{\"name\":\"Mind and Matter\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mind and Matter\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14361/transcript.9783839418000.75\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mind and Matter","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/transcript.9783839418000.75","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
This paper will set out a dualistic pattern, exemplified by (1) a neurobiological account of memory and (2) a short segment of the work of an Austrian avantgarde film-maker. This segment is chosen to simultaneously show a possible proximity as well as the presumable incompatibility of neurological and artistic approaches. The inevitable question of how those points of view relate to each other is taken up in the final section.
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