"支离破碎,令人困惑"珍妮·奥菲尔笔下的新风险社会。

Q3 Arts and Humanities
Rubén Peinado Abarrio
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引用次数: 0

摘要

美国作家珍妮·奥菲尔的《天气》(2020)展示了她对风险社会概念的独特看法。在小说和随附的网站中,奥菲尔提出了一种焦虑的分裂,作为对第四次工业革命挑战的回答。《天气》是一个以强迫性引用和数字媒体的正式影响为特征的多重文本,由第一人称忏悔的声音串联在一起。最终,Offill成功地通过碎片美学实现了一种相互联系的感觉,这要归功于双重运动:她赞成一种批判的后人类主义观点,认为相互关系的主体是由与多个他人的互动构成的,她明确呼吁集体行动。因此,我得出结论,威瑟代表了奥菲尔的美学和政治追求,因为她显然渴望以社会行动主义的形式从读者那里得到答案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
'FRAGMENTED AND BEWILDERING:' THE NEW RISK SOCIETY IN JENNY OFFILL'S WEATHER.
US author Jenny Offill’s Weather (2020) shows her idiosyncratic take on the notion of risk society. In the novel and its accompanying website, Offill develops a type of anxious fragmentation as an answer to the challenges of the Fourth Industrial Revolution. A multiple text characterized by compulsive quotation and the formal influence of digital media, Weather is held together by a first-person confessional voice. Eventually, Offill manages to achieve a sense of interconnection through an aesthetics of the fragment thanks to a double movement: she favors a critical posthumanist perspective that understands the interrelational subject as constituted by interaction with multiple others, and she explicitly calls for collective action. Therefore, I conclude that Weather represents Offill’s both aesthetic and political quest, as she distinctly aspires to elicit an answer from readers in the form of social activism.
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来源期刊
Revista de Estudios Norteamericanos
Revista de Estudios Norteamericanos Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
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0.00%
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2
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