潮人亚文化及其在莉娜·杜汉姆的电视剧《都市女孩》中的表现。

Q3 Arts and Humanities
María Dolores Narbona Carrión
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引用次数: 0

摘要

潮人被认为是当今美国最重要的亚文化之一。然而,“潮人”这个词是出了名的难以定义,也没有得到足够的学术关注,尤其是在指女性的时候。因此,这项跨学科研究的主要目标之一是通过揭示美国背景下这一突出文化现象的信息和参考书目来扭转这种情况。为了证明它的重要性,这一理论方面将辅以它的实际实施,因为这篇文章包括对反映它的主要文化产品之一,电视,更具体地说,在莉娜·杜汉姆的电视剧《女孩》中,潮人的表现的评估。这种分析的目的是为了辨别《都市女孩》所谓的“潮人主义”是否可以被认为是真实的,并阐明可能导致邓纳姆选择这种方式来创造她的角色,以及她的自我品牌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The hipster subculture and its representation in Lena Dunham’s tv series girls.
Hipsters are considered as one of the most relevant American subcultures at present. However, the term hipster is notoriously difficult to define and has not received sufficient academic attention, especially when referring to women. Thus, one of the main objectives of this interdisciplinary study is to reverse this situation by bringing to light information and bibliography about this prominent cultural phenomenon in the US context. To prove its importance, this theoretical aspect will be complemented by its practical implementation, as this essay includes the evaluation of the representation of the hipster in one of the main cultural products which have reflected it, television and, more concretely, in Lena Dunham’s TV series, Girls. This analysis responds to the aim of discerning if Girls’s alleged hipsterism can be considered authentic and of elucidating the reasons that may have led Dunham to this choice for the creation of her characters and, also, for her self-branding.
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来源期刊
Revista de Estudios Norteamericanos
Revista de Estudios Norteamericanos Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
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0.00%
发文量
2
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