煽动“巴黎的评判”:早期现代选美比赛

E. Goldsmith
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引用次数: 0

摘要

在这篇文章中,我考虑了“巴黎审判”的故事,这个故事装饰了17世纪晚期制造的扇子的叶子。我回顾了这个传说在17世纪的绘画、音乐和文学中的流行程度,并探讨了竞争中的女性美的概念如何反映在这一时期的女性肖像实践中,特别是在被称为“美女系列”的收藏品中。我研究了一些女性(伊丽莎白·夏洛特·德奥尔萨伊姆斯、汉诺威的索菲亚、玛丽·曼奇尼·科隆纳和霍顿斯·曼奇尼·马扎林)是如何在她们的书面评论和作为艺术主体和赞助人的活动中既抵制又参与这些早期现代选美比赛的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fanning The ‘Judgment of Paris’: The Early Modern Beauty Contest
Abstract In this article I consider the ‘Judgment of Paris’ story that decorates the leaf of a fan made in the late seventeenth century. I review the popularity of this legend in seventeenth-century painting, music, and literature and explore how the concept of female beauty in competition was reflected in the practice of female portraiture in the period, particularly in the collections known as ‘beauties series’. I examine how some women (Elisabeth Charlotte d’Orléans, Sophia of Hanover, Marie Mancini Colonna and Hortense Mancini Mazarin) both resisted and participated in these early modern beauty contests, in their written commentary and in their activities as subjects and patrons of art.
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