新的生活乐趣展开:玛德琳·德·斯库德姆斯特里的友谊扇子

Laura J. Burch
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引用次数: 1

摘要

在她漫长的文学生涯中,玛德琳·德·斯库德萨里对男女混合的友谊进行了复杂的表现。然而,这种异社会范式的最充分表达并不是在她最著名的小说中,而是在她最后出版的文学作品《对话》中。本文分析了1686年《对话录》中关于友谊的一章中对一件特殊物品——一把女士扇子的描述。当我们把扇子放在历史和文学语境中看时,我们会发现《对话》很可能是斯库德萨梅斯文学生涯的主要作品,在这一点上,她第一次毕生关注女性参与17世纪书信社会的力量,从philia而不是eros的框架中展开。“友谊”扇子将读者的注意力从斯库德萨梅的小说中转移开,因为它表明了一种新的、自我维持和自我更新的混合性别社交形式。通过这本书,scudsamry巧妙地为17世纪的女性塑造了一种“新的”和“令人愉悦的”语言生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
New Pleasure in Life Unfolding: Madeleine de Scudéry’s Friendship Fan
Abstract During her long literary career, Madeleine de Scudéry developed complex representations of mixed-gender friendship. However, the fullest expression of this heterosocial paradigm can be found not in the novels for which she remains most well-known, but in the Conversations, her final published literary output. This article analyzes the description of a particular object, a lady’s fan, found in the Conversations’ chapter on friendship (1686). When we see the fan in both its historical and literary context, we see that the Conversations are also quite possibly the chef d’oeuvre of Scudéry’s literary career, the point at which, for the first time, her life-long concerns about the power of women to participate in the sociable world of the seventeenth-century letters unfold from within the frame of philia rather than of eros. The ‘friendship’ fan diverts readerly attention from Scudéry’s novels as it gestures toward a new, self-sustaining and self-renewing form of mixed-gender sociability. Through it, Scudéry artfully fashions a ‘new’ and ‘pleasing’ life in and of words for seventeenth-century women.
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