肯·伯恩斯的《越南战争》中的记忆、回忆和怀旧

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2022-08-18 DOI:10.1177/17496020221122178

Paul Cornelius, Douglas Rhein

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引用次数: 0

摘要

在对记忆、怀旧和回忆的研究中，主要关注的是最近由肯·伯恩斯和林恩·诺维克执导的纪录片系列《越南战争》。这个系列可以被看作是一种记忆，而不是历史记忆的一个例子。因此，这篇文章对越南战争进行了细致的分析，并特别将其与早期的系列文章《越南:万日战争》进行了比较。与战争有关的当代纪录片《猪年》和《心灵与思想》也在讨论之中。最终可以看到的是，从当代纪录片中对人类行为和视角的主动记忆和倡导，到以越南战争中的记忆和怀旧为重点的制度化结构的转变。

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Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War

This essay examines how society and culture constructs differing responses to memory and remembrance in producing documentary series that look back at the American War in Indochina. Drawing upon studies of memory, nostalgia, and remembrance, the primary focus is on the recent documentary series directed by Ken Burns and Lynn Novick, The Vietnam War. That series can be seen as a remembrance rather than an example of historical memory. The essay provides a close analysis, therefore, of The Vietnam War and compares it, in particular, to an earlier series, Vietnam: The Ten Thousand Day War. Also under discussion are documentaries contemporary with the war, In the Year of the Pig and Hearts and Minds. What ultimately can be seen is a shift from active memory and advocacy in human behavior and perspective within the contemporaneous documentaries to an institutionalized construct focusing on remembrance and nostalgia in The Vietnam War.

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.