{"title":"约翰·韦伯斯特的《马尔菲公爵夫人》","authors":"S. Greenhalgh","doi":"10.1177/01847678211044445b","DOIUrl":null,"url":null,"abstract":"20live%20performance,to%20Saturday%2020%20March%202021 (accessed 5 May 2021). Erin Sullivan, ‘Shakespeare, Social Media, and the Digital Public Sphere: Such Tweet Sorrow and A Midsummer Night’s Dreaming’, Shakespeare, 14(1), 2018, pp. 64– 79, 76. John Wyver, Screening the Royal Shakespeare Company: A Critical History (London: Arden Bloomsbury, 2019), pp. 28–34. Wyver discusses Peter Hall’s 1959 filmed-for-TV production of A Midsummer Night’s Dream, including its aborted transmission to television audiences in the US.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"106 1","pages":"91 - 94"},"PeriodicalIF":0.2000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Performance Review: The Duchess of Malfi by John Webster\",\"authors\":\"S. Greenhalgh\",\"doi\":\"10.1177/01847678211044445b\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"20live%20performance,to%20Saturday%2020%20March%202021 (accessed 5 May 2021). Erin Sullivan, ‘Shakespeare, Social Media, and the Digital Public Sphere: Such Tweet Sorrow and A Midsummer Night’s Dreaming’, Shakespeare, 14(1), 2018, pp. 64– 79, 76. John Wyver, Screening the Royal Shakespeare Company: A Critical History (London: Arden Bloomsbury, 2019), pp. 28–34. Wyver discusses Peter Hall’s 1959 filmed-for-TV production of A Midsummer Night’s Dream, including its aborted transmission to television audiences in the US.\",\"PeriodicalId\":42648,\"journal\":{\"name\":\"CAHIERS ELISABETHAINS\",\"volume\":\"106 1\",\"pages\":\"91 - 94\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAHIERS ELISABETHAINS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/01847678211044445b\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAHIERS ELISABETHAINS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/01847678211044445b","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Performance Review: The Duchess of Malfi by John Webster
20live%20performance,to%20Saturday%2020%20March%202021 (accessed 5 May 2021). Erin Sullivan, ‘Shakespeare, Social Media, and the Digital Public Sphere: Such Tweet Sorrow and A Midsummer Night’s Dreaming’, Shakespeare, 14(1), 2018, pp. 64– 79, 76. John Wyver, Screening the Royal Shakespeare Company: A Critical History (London: Arden Bloomsbury, 2019), pp. 28–34. Wyver discusses Peter Hall’s 1959 filmed-for-TV production of A Midsummer Night’s Dream, including its aborted transmission to television audiences in the US.