意大利西班牙系剧院历史的初步研究

IF 0.1 N/A HUMANITIES, MULTIDISCIPLINARY
Zutot Pub Date : 2020-12-21 DOI:10.1163/18750214-12171088
Ilaria Briata
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引用次数: 0

摘要

本文介绍了对1492年至18世纪意大利西班牙系犹太人戏剧活动的初步调查结果。通过对意大利图书馆的手稿和出版书籍目录以及西班牙系犹太人社区制作的文件进行档案调查,本研究侧重于三个案例研究:威尼斯、那不勒斯和托斯卡纳社区。关于威尼斯社区,收集和分析了犹太人区戏剧活动的文学见证,包括所罗门·乌斯克和莱昂·摩德纳的《Ester》。关于那不勒斯社区,澄清了没有西班牙系文化痕迹的原因。在意大利制作的唯一现存的犹太-西班牙戏剧来自比萨和利沃诺,证明了伊比利亚犹太人在托斯卡纳的多产活动。最后,提供了一份由西班牙系意大利作家创作的希伯来戏剧作品清单,以反映“西班牙系”和“意大利”的类别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Preliminary Study of the History of Sephardic Theatre in Italy
This article presents the results of a preliminary inquiry into the theatrical activity of Sephardic Jews in Italy from 1492 to the 18th century. Through archival investigation conducted on catalogues of manuscripts and published books from Italian libraries, as well as on documents produced by Sephardic communities, the study focuses on three case studies: the communities in Venice, Naples, and Tuscany. Concerning the Venetian community, literary witnesses to the dramatic activity in the Ghetto are collected and analyzed, including Ester by Salomon Usque and Leon Modena. Concerning the Neapolitan community, the reasons for the absence of Sephardic cultural traces are clarified. The only extant Judeo-Spanish plays produced in Italy come from Pisa and Livorno, testifying to the prolific activity of Iberian Jews in Tuscany. Finally, a list of Hebrew dramatic works written by Italian authors of Sephardic origin is provided in order to reflect on the very categories of ‘Sephardic’ and ‘Italian.’
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来源期刊
Zutot
Zutot HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
14
期刊介绍: Zutot: Perspectives on Jewish Culture aims to fill a gap that has become more and more conspicuous among the wealth of scholarly periodicals in the field of Jewish Studies. Whereas existing journals provide space to medium and large sized articles, they neglect the small but poignant contributions, which may be as important as the extended, detailed study. The Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions. The Zutot covers Jewish culture in its broadest sense, i.e. encompassing various academic disciplines—literature, languages and linguistics, philosophy, art, sociology, politics and history—and reflects binary oppositions such as religious and secular, high and low, written and oral, male and female culture.
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