{"title":"俄罗斯电影表现中的车臣战争:“非主权”时代的生命政治爱国主义","authors":"A. Makarychev","doi":"10.1163/23751606-01201006","DOIUrl":null,"url":null,"abstract":"The paper explores the identitarian context of Russia’s cinematic narratives on the war in Chechnya. It draws on various strategies of war representation through films and uncovers their ideological and political underpinnings. The author explicates how the cinematographic imagery grounded in the Chechen war experience boosts the hegemonic discourse of the Kremlin, and then discusses whether fictional films deliver critical or counter-hegemonic arguments.","PeriodicalId":42064,"journal":{"name":"Transcultural Studies","volume":"12 1","pages":"115-135"},"PeriodicalIF":0.1000,"publicationDate":"2016-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23751606-01201006","citationCount":"3","resultStr":"{\"title\":\"The War in Chechnya in Russian Cinematographic Representations: Biopolitical Patriotism in 'Unsovereign' Times\",\"authors\":\"A. Makarychev\",\"doi\":\"10.1163/23751606-01201006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper explores the identitarian context of Russia’s cinematic narratives on the war in Chechnya. It draws on various strategies of war representation through films and uncovers their ideological and political underpinnings. The author explicates how the cinematographic imagery grounded in the Chechen war experience boosts the hegemonic discourse of the Kremlin, and then discusses whether fictional films deliver critical or counter-hegemonic arguments.\",\"PeriodicalId\":42064,\"journal\":{\"name\":\"Transcultural Studies\",\"volume\":\"12 1\",\"pages\":\"115-135\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2016-11-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1163/23751606-01201006\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Transcultural Studies\",\"FirstCategoryId\":\"95\",\"ListUrlMain\":\"https://doi.org/10.1163/23751606-01201006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transcultural Studies","FirstCategoryId":"95","ListUrlMain":"https://doi.org/10.1163/23751606-01201006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"HISTORY","Score":null,"Total":0}
The War in Chechnya in Russian Cinematographic Representations: Biopolitical Patriotism in 'Unsovereign' Times
The paper explores the identitarian context of Russia’s cinematic narratives on the war in Chechnya. It draws on various strategies of war representation through films and uncovers their ideological and political underpinnings. The author explicates how the cinematographic imagery grounded in the Chechen war experience boosts the hegemonic discourse of the Kremlin, and then discusses whether fictional films deliver critical or counter-hegemonic arguments.
期刊介绍:
The Journal of Transcultural Studies is a peer-reviewed, open-access journal committed to promoting the knowledge and research of transculturality in all disciplines. It is published by the Cluster of Excellence “Asia and Europe in a Global Context: The Dynamics of Transculturality” of the Ruprecht-Karls-Universität Heidelberg.