Marta minuji的破坏性干预

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2020-06-25 DOI:10.1162/ARTM_A_00263

Michaëla de Lacaze Mohrmann

引用次数: 0

摘要

1963年6月6日，在巴黎生活了几个月后，阿根廷艺术家玛尔塔·米努金(Marta Minujin)在“僵局龙辛”(Impasse Ronsin)表演了她的第一部作品《毁灭》(The Destruction)，这里现在是许多模特的传奇住所……

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Marta Minujín's Destructive Intervention

On June 6, 1963, after living in Paris for several months, Argentine artist Marta Minujin performed her first happening, The Destruction, at the Impasse Ronsin, the now legendary abode of many mode...

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来源期刊

ARTMargins ART-

CiteScore

0.10

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0.00%

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期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.