{"title":"刘易斯·巴尔茨:加州尔湾附近的新工业园区","authors":"Olivia Lahs-Gonzales","doi":"10.1086/DIA23183246","DOIUrl":null,"url":null,"abstract":"expressionist \"equivalents,\" it was not Baltz's aim to create minimalist surrogates. Baltz instead adopted the language of minimalism, which dealt with the material elements of painting and the quality of surface, to create precise, descriptive images. Because of this, Baltz's photographs of structures in industrial parks have the effect of architectural drawings or forensic documents.16","PeriodicalId":36609,"journal":{"name":"Bulletin of the Detroit Institute of Arts","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/DIA23183246","citationCount":"0","resultStr":"{\"title\":\"Lewis Baltz: New Industrial Parks Near Irvine, California\",\"authors\":\"Olivia Lahs-Gonzales\",\"doi\":\"10.1086/DIA23183246\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"expressionist \\\"equivalents,\\\" it was not Baltz's aim to create minimalist surrogates. Baltz instead adopted the language of minimalism, which dealt with the material elements of painting and the quality of surface, to create precise, descriptive images. Because of this, Baltz's photographs of structures in industrial parks have the effect of architectural drawings or forensic documents.16\",\"PeriodicalId\":36609,\"journal\":{\"name\":\"Bulletin of the Detroit Institute of Arts\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2010-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/DIA23183246\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin of the Detroit Institute of Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/DIA23183246\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of the Detroit Institute of Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/DIA23183246","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Lewis Baltz: New Industrial Parks Near Irvine, California
expressionist "equivalents," it was not Baltz's aim to create minimalist surrogates. Baltz instead adopted the language of minimalism, which dealt with the material elements of painting and the quality of surface, to create precise, descriptive images. Because of this, Baltz's photographs of structures in industrial parks have the effect of architectural drawings or forensic documents.16