两种文字中作为元音变音符的声调标记:在加多语和其他东南亚语言中对非声调现象的重新利用声调标记

Q1 Arts and Humanities
Seth Vitrano-Wilson, Ryan Gehrmann, C. Miller, Cheung Xaiyavong
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引用次数: 0

摘要

东南亚的许多文字都有自己的声调标记方法。当使用这些文字来编写非声调语言时,语言社区经常为这些符号找到其他用途。卡多语(Cado)是一种位于越南和老挝的卡图亚语分支的南亚语言,它的情况尤其引人注目,因为它们在两种不同的文字中使用声调标记作为元音变音符。由于说卡多语的人生活在越南和老挝边境的两侧,他们选择使用基于各自民族语言的两种不同的书写系统。本文在越南文和老挝文正字法的基础上,提出了用罗马文和老挝文对加多字的初步正字法。Cado没有发音对比,但它保留了元音长度对比。两种柬埔寨语正字法都采用越南语和老挝语正字法的声调标记来分别区分元音长度或元音质量。讨论了这种跨范畴使用声调标记的语音动机,并给出了东南亚其他使用声调标记和其他符号超出其传统语音类别的正字法的例子,并与Cado进行了比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tone marks as vowel diacritics in two scripts: repurposing tone marks for non-tonal phenomena in Cado and other Southeast Asian languages
ABSTRACT Many scripts in Southeast Asia have developed ways of marking tone. When adapting such scripts to write non-tonal languages, language communities often find other uses for these symbols. The case of Cado, an Austroasiatic language of the Katuic sub-branch in Vietnam and Laos, is particularly striking in that they use tone marks as vowel diacritics in two different scripts. Because Cado speakers live on both sides of the Vietnamese-Lao border, they have chosen to use two separate writing systems based on their respective national languages. This paper presents preliminary orthographies for Cado in the Roman and Lao scripts, based on the Vietnamese and Lao orthographies. Cado has no phonation contrast, but it does retain vowel length contrast. Both Cado orthographies adapt tone marks from the Vietnamese and Lao orthographies to distinguish either vowel length or vowel quality respectively. The phonetic motivation for this cross-categorical use of tone marks is discussed, and examples of other orthographies in Southeast Asia that adapt tone marks and other symbols beyond their traditional phonetic category are given and compared with Cado.
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来源期刊
Writing Systems Research
Writing Systems Research Arts and Humanities-Language and Linguistics
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