拉开空间性。从撒哈拉难民营的历史看建筑档案

IF 1.1 0 ARCHITECTURE

Architecture and Culture Pub Date : 2021-04-29 DOI:10.1080/20507828.2021.1894063

Julien Lafontaine Carboni

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引用次数: 1

摘要

如果建筑知识不以绘画为媒介，或者不产生任何形式的记录，会发生什么?在知识的流通和空间的出现没有留下任何物理痕迹的背景下，建筑档案如何存在并有意义?本文与撒哈拉文化部合作，通过对撒哈拉难民营历史的观察，对未绘制的空间性留下的痕迹以及如何在建筑档案中记录和解释这些痕迹进行了深入的研究。启动了一个项目，以存档和维护游牧知识流通，这已经被长期的固定短路。这篇文章提出，手势、语言和身体——作为未绘制建筑的生产者——允许其他制度和空间性的痕迹出现。

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Undrawn Spatialities. The Architectural Archives in the Light of the History of the Sahrawi Refugee Camps

Abstract What happens if architectural knowledge is not mediated through drawing or does not produce any type of record? How can an architectural archive exist and make sense in a context where the circulation of knowledge and the emergence of spatialities leave no physical traces? This essay offers insights into the traces left by undrawn spatialities and how they could be recorded and interpreted in architectural archives based on observations on the history of the Sahrawi refugee camps in archiving oral memories in collaboration with the Sahrawi Ministry of Culture. A project was launched to archive and maintain nomadic knowledge circulation that has been short-circuited by protracted immobilization. This essay proposes that gestures, words and bodies- as producers of undrawn architecture -allow other regimes and traces of spatialities to emerge.

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来源期刊

Architecture and Culture ARCHITECTURE-

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.