伊斯坦布尔现代建筑与艺术的融合缺失:以伊泽特Şefizade别墅为例

IF 0.5 3区 艺术学 0 ARCHITECTURE
A. Çi̇ftçi̇
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引用次数: 0

摘要

20世纪50年代后,随着现代主义建筑的兴起,伊斯坦布尔的城市肌体不断变化,人们建造了一批合格的住宅,尤其是在夏季别墅区。İzzet Şefizade别墅建于1961年,位于土耳其著名的夏季旅游胜地费内巴帕拉蒂,是现代建筑与艺术结合的一个没有记录的例子,其墙壁马赛克由土耳其抽象艺术的重要代表费鲁Başağa(1914-2010)制作。尽管具有技术、美学和社会价值,但该建筑在地震风险下被发现,并于2018年被拆除,而不是加固,并建造了一个新的公共中心。本文从城市改造与保护、建筑与艺术的融合、城市记忆等角度探讨了建筑的失落。这是一个难得的、资料丰富的例子,表明保存没有法律或条例保护的艺术作品或建筑元素是可能的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Loss of synthesis of modern architecture and art in Istanbul: case of Izzet Şefizade Villa
ABSTRACT The changing urban texture of Istanbul saw the construction of qualified houses, especially in the summer house districts, during the rise of modernist architecture after the 1950s. The İzzet Şefizade Villa built in 1961 in Fenerbahçe, a popular summer destination, is an undocumented example of the synthesis between modern architecture and art with its wall mosaic made by Ferruh Başağa (1914–2010), an important representative of Turkish abstract art. Despite its technical, aesthetic and social value, the building was found under earthquake risk and demolished in 2018 rather than being reinforced, and a new public center was built. This article discusses the loss of the building from the perspectives of urban transformation and conservation, the synthesis of architecture and art, and urban memory. As a rare and informative example, it shows that it is possible to save art works or architectural elements which are afforded no protection by law or ordinances.
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来源期刊
CiteScore
1.60
自引率
12.50%
发文量
19
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