参与绘图:Lawrence Halprin的RSVP Cycles与Richard Barrett的fOKT相遇

IF 0.3 2区艺术学 0 MUSIC

Contemporary Music Review Pub Date : 2021-07-04 DOI:10.1080/07494467.2021.2001935

Christopher A. Williams

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引用次数: 0

摘要

富有远见的景观设计师Lawrence Halprin的《RSVP循环:人类环境中的创造过程》(1969年，纽约:George Braziller)是一个跨学科的符号合作模式。在这篇文章中，我通过对英国作曲家兼即兴演奏家理查德·巴雷特的《fOKT》系列(2005)的案例研究，概述了RSVP在阐明当代作曲家兼表演者作品中符号、集体和即兴创作之间未被理论阐释的联系方面的潜力。同时，我展示了这种音乐可以帮助纠正哈尔普林自己关于乐谱的一些盲点——特别是作为其基础的包容性、参与性的政治愿景。

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Mapping Participation: Lawrence Halprin's RSVP Cycles Meets Richard Barrett's fOKT

Visionary landscape architect Lawrence Halprin’s The RSVP Cycles: Creative Processes in the Human Environment (1969, New York: George Braziller) is an interdisciplinary model for collaborating through and with notation. In this article, I outline RSVP’s potential to articulate undertheorised connections between notation, collectivity, and improvisation in the work of a number of present-day composer-performers through the case study of British composer-improviser Richard Barrett’s fOKT series (2005). At the same time, I show this music can help redress a number of blind spots in Halprin’s own ideas about scores—especially the inclusive, participatory political vision that grounded them.

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来源期刊

Contemporary Music Review MUSIC-

CiteScore

1.00

自引率

25.00%

发文量

期刊介绍： Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.