表演的普遍性:表现流派的理论与实践

IF 0.2 Q4 ANTHROPOLOGY

Reviews in Anthropology Pub Date : 2015-04-03 DOI:10.1080/00938157.2015.1029832

Vilma Santiago-Irizarry

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引用次数: 0

摘要

表演和表演在人类学分析中占有重要地位。在这篇综述中，我检查了最近的出版物，这些出版物涉及、记录和分析了如何有效地挖掘不同的表演流派和实践，制定了各种社会文化领域，以确定它们如何普遍有助于我们对人类行为的理解。此外，这些出版物涵盖了人类学领域以及多个社会和历史时期，进一步强调了表演对人类文化和我们自己的学科至关重要。

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The Ubiquity of Performance: Theory and Practice in Expressive Genres

Performance and performativity occupy a significant place in anthropological analytics. In this review, I examine recent publications that address, document, and analyze how different performance genres and practices, enacted across a variety of socio-cultural domains, can be productively mined to establish how pervasively they contribute to our understanding of human behavior. These publications, moreover, range across anthropological fields as well as multiple societies and historical periods, further underscoring that performance has been crucial for human cultures and in our own discipline.

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来源期刊

Reviews in Anthropology ANTHROPOLOGY-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Reviews in Anthropology is the only anthropological journal devoted to lengthy, in-depth review commentary on recently published books. Titles are largely drawn from the professional literature of anthropology, covering the entire range of work inclusive of all sub-disciplines, including biological, cultural, archaeological, and linguistic anthropology; a smaller number of books is selected from related disciplines. Articles evaluate the place of new books in their theoretical and topical literatures, assess their contributions to anthropology as a whole, and appraise the current state of knowledge in the field. The highly diverse subject matter sustains both specialized research and the generalist tradition of holistic anthropology.