学术史的危机再次出现

Kleio Pub Date : 2001-01-01 DOI:10.1080/00232080185380061
P. Eidelberg
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引用次数: 1

摘要

最近,蒂姆·努塔尔和约翰·赖特发表了两篇艺术文章,讨论了在南非和海外衰落的学术地位。作者不仅在南非,而且在海外也对该专业的主要原因进行了分析,同时为我们提供了许多相关文献的调查。因此,他们为我们提供了一种计算和模拟的方式,这是一种“合成”的方式,它是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式,是一种“合成”方式。我的调查将试图简要地总结这两篇艺术文章的更重要的方面,并将它们视为必不可少的,因为它们是相同的两个部分。然后,我想问一下它是否符合它的一些假设。我主要关注的是整个西方国家学术文化的衰落,而不是南非。正如作者正确地指出的那样,在19世纪之前,它的历史在很大程度上是各种学科的一个分支。直到1870年,这门学科才开始在西方和美国的大学中发挥作用,尽管从19世纪下半叶开始准备的研讨会已经成为历史学专业的一个标志性特征。另一方面,大约从20世纪60年代开始,经济学这一专业开始受到严重的打击,从而导致了学术历史的衰落,这在过去的30年里在西方是如此明显。与此相关的是“后现代主义”对“传统主义”“现代主义”“历史主义”概念的挑战。这一概念声称过去可以被客观地构思,从而导致意见的一致。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The crisis of academic history revisited
Recently, Tim Nuttal l and John Wright publ i shed two art icles 1 dealing with academic h i s to ry ' s declining status, bo th in South Africa and overseas . The authors provide an analysis of the d i lemmas of the profess ion, not only in South Africa but overseas as well, while s imul taneous ly providing us wi th a su rvey of much of the re levant l i terature . As such they offer us an ar t iculate and s t imulat ing ' s ta te of the ar t ' synthes is of c o n t e m p o r a r y h i s to r ians ' v iews about their p rofess ion and its changing public image over the pas t th i r ty years . My su rvey will a t t empt to summar i se the more sal ient aspec ts of these two art icles briefly, t rea t ing them as essent ia l ly two par t s of the same a r g u m e n t . I wou ld t hen like to ques t i on some of the i r bas i c assumpt ions . My focus will deal p r imar i ly wi th the decline of academic h is tory in the West as a whole, r a the r than specifically wi th South Africa. As the authors r ight ly point out, h i s tory pr ior to the n ine teenth century was largely a l i te rary discipline. Only f rom 1870 did separa te h i s to ry depa r tmen t s begin to funct ion at Wes te rn European and American universi t ies , 2 al though the seminar , a l ready f rom the second quar te r of the n ineteenth century, had become a defining charac ter i s t ic of the h is tory profession. 3 From about the 1960s, on the other hand, the h i s to ry profess ion began to be ser iously a t tacked, usher ing the decline in the s ta tus of academic his tory, so evident in the West during the pas t th i r ty years . Linked to this was the ' pos tmodern i s t ' challenge to the t radi t ional 'modern i s t ' h is tor ical concept . This concept c laimed tha t the pas t could be object ively conceived, leading to a b road consensus of opinion,
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