De rebus incertis:斯蒂芬的生活和神圣的办公室

IF 0.5 1区 艺术学 0 MEDIEVAL & RENAISSANCE STUDIES
J. Grier
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引用次数: 1

摘要

大多数标准的音乐学参考文献都将三个职位的组成归因于利安杰主教斯蒂芬(†920):圣三位一体,圣兰伯特(8世纪初利安杰主教,该市的大教堂是献给他的)的节日和圣斯蒂芬的发明。从理查里乌斯(Stephen在li的继任者)和福尔金(Folcuin of大堂)的陈述(都来自10世纪),以及11世纪关于li的安塞尔姆的叙述,以及布鲁塞尔的证据,biblioth royale, MS 14650-59 (Stephen在li担任主教期间在li制作的10世纪手稿),我得出结论,li的Stephen确实参与了圣兰伯特和圣三位一体的办公室。虽然他可能为圣兰伯特创作了圣歌,但他更有可能为三位一体修改了现有的圣歌。没有10世纪或11世纪的证据证明圣斯蒂芬发明办公室属于斯蒂芬主教。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
De rebus incertis: Stephen of Liège and the Divine Office
ABSTRACT Most standard musicological references attribute to Bishop Stephen of Liège (†920) the composition of three Offices: for the Holy Trinity, the feast of Saint Lambert (bishop of Liège in the early eighth century to whom the city's cathedral is dedicated) and the Invention of Saint Stephen the protomartyr. From statements by Richarius, Stephen's successor at Liège, and Folcuin of Lobbes (both from the tenth century), and the eleventh-century account of Anselm of Liège, along with the evidence in Brussels, Bibliothèque royale, MS 14650-59 (a tenth-century manuscript produced at Liège during Stephen's episcopate), I conclude that Stephen of Liège did have a hand in the Offices for Saint Lambert and the Holy Trinity. Although he may have composed chants for Saint Lambert, he more likely revised existing ones for the Trinity. No tenth- or eleventh-century testimony attests the attribution of the Office for the Invention of Saint Stephen to Bishop Stephen.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
15
期刊介绍: Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.
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