{"title":"社论:重新措辞的理由(1)","authors":"melissandre varin, Carmen Wong, Harriet Curtis","doi":"10.1080/14682761.2022.2135185","DOIUrl":null,"url":null,"abstract":"<p><b>ABSTRACT</b></p><p>This editorial elaborates on the processes and practices of Open Call and its iteration as a print and online issue of <i>Studies in Theatre and Performance</i>. It offers a collaborative framing of the issue that includes the voices of its editors and peer reviewers, and suggests some possible pathways through the texts and artworks that comprise this special issue, which is titled open-call+response:</p>","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"38 11","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Editorial: Grounds for Re-wor(l)ding\",\"authors\":\"melissandre varin, Carmen Wong, Harriet Curtis\",\"doi\":\"10.1080/14682761.2022.2135185\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><b>ABSTRACT</b></p><p>This editorial elaborates on the processes and practices of Open Call and its iteration as a print and online issue of <i>Studies in Theatre and Performance</i>. It offers a collaborative framing of the issue that includes the voices of its editors and peer reviewers, and suggests some possible pathways through the texts and artworks that comprise this special issue, which is titled open-call+response:</p>\",\"PeriodicalId\":42067,\"journal\":{\"name\":\"Studies in Theatre and Performance\",\"volume\":\"38 11\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-03-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Theatre and Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14682761.2022.2135185\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14682761.2022.2135185","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
This editorial elaborates on the processes and practices of Open Call and its iteration as a print and online issue of Studies in Theatre and Performance. It offers a collaborative framing of the issue that includes the voices of its editors and peer reviewers, and suggests some possible pathways through the texts and artworks that comprise this special issue, which is titled open-call+response:
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