土著处置和定居者殖民艺术画廊:维多利亚国家美术馆的Anguish

IF 0.3 2区 艺术学 0 ART
Kate Nichols
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引用次数: 0

摘要

定居者殖民地美术馆的历史往往将这些机构描述为复制英国模式的遥远尝试。本文通过对19世纪80年代丹麦画家a.F.a.Schenck的《Anguish》(1878)在墨尔本维多利亚国家美术馆(NGV)的收购和接收的案例研究,认为定居者/土著人的互动,以及对土著人民的暴力剥夺,是定居者殖民美术馆形成的根本。考察了NGV的伦敦艺术顾问阿尔弗雷德·塔迪·汤姆森的职业生涯,从19世纪40年代殖民地边境的暴力,到他在19世纪末伦敦的艺术咨询实践,它展示了边境暴力如何渗透到英国定居者殖民地文化机构的形成中。Anguish的收购和接受激励我们重新思考定居者殖民美术馆的历史,以及他们收藏的欧洲绘画。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

Indigenous Dispossession and Settler Colonial Art Galleries: Anguish at the National Gallery of Victoria

Indigenous Dispossession and Settler Colonial Art Galleries: Anguish at the National Gallery of Victoria

Histories of settler colonial art galleries have tended to present these institutions as distant attempts to replicate British models. This essay argues that settler/Indigenous interactions, and the violent dispossession of Indigenous peoples, were fundamental to the formation of settler colonial art galleries, through a case study of the 1880s acquisition and reception of Danish painter A. F. A. Schenck's Anguish (1878) at the National Gallery of Victoria (NGV) in Melbourne, on unceded land of the Kulin nation. Examining the career of the NGV's London art adviser, Alfred Taddy Thomson, from the violence of the colonial frontier in the 1840s, to his art advising practice in late nineteenth-century London, it demonstrates the ways in which frontier violence permeated the formation of British settler colonial cultural institutions. The acquisition and reception of Anguish provides a stimulus to rethink approaches to histories of settler colonial art galleries, and to European paintings in their collections.

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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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