从科尼亚到努桑塔拉:鲁米在印尼亚齐皮迪的苏菲侨民

Q3 Arts and Humanities
Fakhriati Fakhriati
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引用次数: 1

摘要

鲁米的苏菲主义不仅在苏菲出生地土耳其蓬勃发展,而且在努桑塔拉等许多其他遥远的世界地区也蓬勃发展。它在世界范围内的成功引发了许多问题,例如,它吸引穆斯林和非穆斯林的原因。在印度尼西亚亚齐的皮迪,其流行的方面之一是sema仪式舞蹈,该舞蹈已传播到其他亚齐苏菲教团(tariqa),尤其是Naqshbandi苏菲教团。这种舞蹈是根据研究地点皮迪的Lampôh Saka村的当地情况改编的外国教学和表演。亚齐的苏菲教团成功地融合了外国和当地文化,创造了自己独特的东西。这项研究可以提供一个如何在印尼生活中发展和谐与和平的例子,例如sema舞蹈,它象征着对创造的关怀,同时保持对造物主的服从。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FROM KONYA TO NUSANTARA: RUMI’S SUFI DIASPORA IN PIDIE, ACEH, INDONESIA
Rumi’s Sufism has not only flourished in Turkey, where the sufi was born, but also in many other far-flung world regions such as Nusantara.  Its worldwide success invites many questions, for example, the reasons for its ability to attract both Muslims and non-Muslims. In Pidie, Aceh, Indonesia, one of its popular aspects is the sema ritual dance, which has spread to other Aceh sufi orders (tariqa), especially the Naqshbandi sufi order. This dance is an adaptation of foreign teaching and performance to local context in the location of the study, the village of Lampôh Saka in Pidie. Aceh’s sufi orders have succeeded in synthesizing foreign and local culture to create something uniquely their own. This study could offer an example of how to develop harmony and peace in Indonesian life, as exemplified by the sema dance, which symbolizes care towards creation while maintaining submission to the Creator.
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CiteScore
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