逮捕光学:抗议摄影新闻中的黑人女性见证与警察视觉的反黑技术

IF 0.3 2区 艺术学 0 ART
Christina Aushana, Tara-Lynne Pixley
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引用次数: 0

摘要

在这篇文章中,我们生动地展示了摄影记者和警察之间的间隙练习,并描绘了视觉从业者“在黑人时作证”的一些利害关系。我们采用黑人摄影师对抗议图像的视觉分析,同时追踪执法部门动员的具体视觉监督技术。其中包括警察部门选择新闻图片来识别种族正义抗议者并将其定罪,同时努力将警察专业化为摄影师。我们对这些庞大的组织——警察和摄影新闻——共同存在的反黑人交叉点进行了理论分析,以解释这两个系统维持和投资于破坏性视觉的方式,这些视觉塑造了黑人和棕色人种社区“实地”的后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Arresting Optics: Black Femme Witnessing in Protest Photojournalism and the Anti-Black Techniques of Police Vision
In this article, we animate the interstitial practices shared by photojournalists and police officers, and sketch some of the stakes for visual practitioners ‘bearing witness while black’. We employ visual analyses of protest images by Black photographers while tracing the specific visual techniques of oversight mobilised by law enforcement. These include police departments’ co-optation of news images to identify and criminalise racial justice protesters alongside efforts to professionalise police officers into photographers. We theorise the anti-Black intersections shared across these expansive formations – policing and photojournalism – in an effort to account for the ways in which both systems maintain and invest in damaging visualities that shape consequences ‘on the ground’ for Black and brown communities.
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
23
期刊介绍: History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.
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