表演企业文化:通过Quidigital分析元叙事和在线互动

IF 0.3 2区 艺术学 0 MUSIC
Eliot Britton, David Arbez, P. Hart, Kevin McPhillips
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引用次数: 0

摘要

摘要Home Comfort Advisor是由虚构公司“Quidigital”为在线合唱团创作的合作作品。本文详细介绍了作品对企业美学、分析、生产力、设计策略的选择,以及它们在音乐语言、合作、表演者代理和观众接收方面的影响。由此产生的合唱团表演伪装成一个互动的在线产品发布,对歌手、社区成员、分布式决策者和内容创作者等合唱团成员提出了非传统的分析要求。为了应对由70名代理人和一个创意开发团队组成的跨学科合作带来的后勤挑战,线性合成方法被修改的迭代设计循环所取代。(合作创作分析(再)-解读互动观众参与度:重复/部署:)。更具体地说,本文研究了用于扩大合作的新兴材料、结构和过程。Home Comfort Advisor深入嵌入的企业美学和技术基础设施揭示了分数、文本、代码、设计资产、分析人员和表演者之间的新颖互动。对非线性合作关系的分析为创建类似的数据驱动的跨学科合作提供了一个模型。Quidigital对隐藏在众目睽睽之下的相互理解的代码的操作接近Limor Shifman所说的超符号化。这种技术放大的协作元叙事的培养是Quidigital成功的核心,也是其平易近人、颠覆性和令人深感不安的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performing Corporate Culture: Analysing Meta-Narratives and Online Interactivity Through Quigital
ABSTRACT Home Comfort Advisor is a collaborative composition for online choir, presented by the fictional corporation ‘Quigital’. This paper details the work's co-opting of corporate aesthetics, analysis, productivity, design strategies and their implications in musical language, collaboration, performer agency and audience reception. The resulting choir performance masquerades as an interactive online product launch, making unconventional analytical demands on individual choir members as singers, community members, distributed decision makers and content creators. To manage the logistical challenges presented by an interdisciplinary collaboration featuring 70 agents and a creative development team, linear approaches to composition were replaced by a modified iterative design loop. (Collaborative creation analysis (re)-interpretation interactive audience engagement: repeat/deploy:). More specifically, this paper examines emergent materials, structures and processes used to amplify collaboration. Home Comfort Advisor's deeply embedded corporate aesthetic and technological infrastructure reveals novel interactions between the score, text, code, design assets, analysist and performer. An analysis of the non-linear, collaborative relationships provides a model for creating similar data-driven, interdisciplinary collaborations. Quigital's manipulation of a mutually understood code hidden in plain sight approaches what Limor Shifman refers to as hypersignification. This cultivation of technologically amplified, collaborative metanarrative lies at the heart of Quigital's success and its ability to be both approachable, subversive and deeply disturbing.
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
48
期刊介绍: Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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