不可能的闹鬼:格雷姆·麦克雷·伯内特和巴里·格雷厄姆

IF 0.2 N/A HUMANITIES, MULTIDISCIPLINARY
D. Punter
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引用次数: 0

摘要

谈论“苏格兰哥特式”已经成为一种陈词滥调,就好像有一个国家可以容纳某些人。当然,正如我们几个世纪以来在政治和宗教事务中所看到的那样,苏格兰是一个多元化的国家。特别是,我们需要共同谈论工业 – 或后工业 – ‘“心脏地带”(无论这个有争议的术语可能意味着什么),以及可能特别折磨那些在任何明显的社会意义上被排除在“发展”之外的土地的闹鬼。没有一个国家(尤其是“无国籍国家”)是统一的;但在本文中,我想回到格雷姆·麦克雷·伯内特(Graeme Macrae Burnet)以高地为中心的杰出小说《他的血腥计划》(His Bloody Project),并将巴里·格雷厄姆(Barry Graham)的一些多产作品放在一起,他被誉为斯蒂芬·金(Stephen King)的继任者。这里可能有某种相互困扰的证据吗?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Impossible Hauntings: Graeme Macrae Burnet and Barry Graham
It has become something of a cliché to speak of ‘Scottish Gothic’ as though there were one country which could house a certain set of hauntings. But Scotland is, of course, a diverse country, as we have seen over many centuries in its political and religious dealings. In particular, we need to speak together of the industrial – or post-industrial – ‘heartland’ (whatever that contested term might mean) and of the hauntings that might specifically afflict those lands excluded from ‘development’ in any obvious social sense. No nation (especially a ‘stateless nation’) is unified; but in this paper I want to return to Graeme Macrae Burnet's remarkable Highlands-centred novel His Bloody Project, and place alongside it some of the prolific work of the more urban Barry Graham, who has been hailed as the successor to Stephen King. Might there be evidence here of some kinds of mutual haunting?
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来源期刊
Gothic Studies
Gothic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.
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