破碎的景观和空间政治:Nwadjahane(莫桑比克南部)的回忆和记忆

IF 0.7 Q3 ANTHROPOLOGY
M. Dores Cruz
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引用次数: 2

摘要

Nwadjahane是莫桑比克南部的一个小村庄,作为该国国父之一爱德华多·蒙德兰(Eduardo Mondlane)的出生地,与其他定居点区别开来。Nwadjahane被宣布为国家遗产,并成为一个露天博物馆,它已经成为国家和地方记忆谈判的景观。Mondlane是一个民族英雄,通过雕像,展览和纪念活动来庆祝,以及与当地祖先的联系,并通过仪式场所和神圣的树木来纪念。我研究了不同的观众如何参与、使用和竞争Nwadjahane的不同空间:村庄、博物馆、祖先的空间。强调这一景观的断裂性质和政治,对单一地点的紧张,矛盾,要求和反要求,我使用福柯的异托邦概念作为分析工具来询问不同空间和时间性的并置,特别关注当地的解释和使Nwadjahane成为国家遗产的历史条件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

FRACTURED LANDSCAPES AND THE POLITICS OF SPACE: Remembrance and Memory in Nwadjahane (Southern Mozambique)

FRACTURED LANDSCAPES AND THE POLITICS OF SPACE: Remembrance and Memory in Nwadjahane (Southern Mozambique)

Nwadjahane, a small village in southern Mozambique, is set apart from other settlements as the birthplace of Eduardo Mondlane, one of the nation's founding fathers. Declared a national heritage site and made into an open-air museum, Nwadjahane has become a landscape where national and local memories are negotiated. Mondlane is at once a national hero celebrated with statues, exhibitions, and commemorations, as well as locally linked to ancestors and memorialized through ritual sites and sacred trees. I examine how diverse audiences engage, appropriate, and contest the different spaces of Nwadjahane: the village, the museum, the space of ancestors. Highlighting the fractured nature and the politics of this landscape, the tensions, contradictions, claims, and counterclaims made upon a single locale, I use Foucault's concept of heterotopia as an analytical tool to interrogate the juxtaposition of distinct spaces and temporalities, focusing particularly on local interpretations and the historical conditions that made Nwadjahane a national heritage site.

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来源期刊
Museum Anthropology
Museum Anthropology ANTHROPOLOGY-
CiteScore
0.80
自引率
75.00%
发文量
23
期刊介绍: Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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