新闻摄影的局限性和悖论:阿根廷军事独裁统治期间梅奥广场母亲照片的分析

IF 0.2 N/A ART
C. Gamarnik
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引用次数: 0

摘要

这篇文章讲述了一张照片的故事,这张照片被用作五月广场母亲和阿根廷军事独裁之间可能和解的象征。1982年10月5日,八个人权组织联合呼吁动员起来,要求活着遣返被拘留者和失踪者。那天制作了一张照片,照片上似乎是一名警察和一名母亲的拥抱。这张照片具有直接的媒体意义,被用来支持人权组织和镇压力量之间所谓的和解政策,而事实上,这种政策从未存在过。反过来,图像的使用和解释使我们能够分析新闻摄影的局限性和可能性,同时将其作为证据和事件的象征。争议的性质以及在新闻和摄影领域的成功将这幅图像作为一个特殊的研究对象,以分析独裁、媒体和摄影之间的关系,并反思图像对事实的历史意义提出质疑和影响公众舆论的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Límites y paradojas de una fotografía de prensa: análisis de una foto de Madres de Plaza de Mayo durante la dictadura militar en Argentina
This article addresses the story of a photograph that was used as a symbol of a possible reconciliation between the Mothers of the Plaza de Mayo and the military dictatorship in Argentina. On October 5, 1982, eight human rights organizations jointly called for a mobilization to demand the return, alive, of the detained and disappeared. That day a photograph was produced that appeared to show a hug between a policeman and a mother. The photograph had immediate media significance and was used to support a supposed policy of reconciliation between human rights organizations and the repressive forces, which in reality never existed. In turn image’s uses and interpretations allow us to analyze both the limitations and the possibilities of press photography when constituting itself as evidence and at the same time as a symbol of an event. The controversial nature and the success in journalistic and photographic terms places this image as a privileged object of study to analyze the relationship between dictatorship, media and photography as well as to reflect on the capacity of an image to dispute the historical meaning of a fact and to influence the public opinion.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
35
审稿时长
12 weeks
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