《马尔菲公爵夫人》中的女性结局

Sillages Critiques Pub Date : 2019-01-13 DOI:10.4000/SILLAGESCRITIQUES.7182

L. Niayesh

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引用次数: 0

摘要

本文以韵律中的一种惯例为出发点，这种惯例在风格上将女性和女性气质推到诗行的边缘，并将它们排除在韵律规范之外。将这一原则延伸到剧中，它反思了女性和男性主角的结局是如何不同的，从而矛盾地为文本中的女性和女性气质打开了一个空间，即使这个空间只能在失落和死亡中达到。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Feminine Endings in The Duchess of Malfi

This article takes as its starting point a convention in prosody that stylistically pushes the feminine and femininity to the margin of the poetic line and excludes them from the metrical norm. Extending that principle to the play, it offers a reflection on the way endings are made distinct for female and male protagonists, and thereby paradoxically opens a space for the feminine and femininity within the text, even if that space can only be reached in loss and death.

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来源期刊

Sillages Critiques

自引率

0.00%

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审稿时长

12 weeks