评估LoLa在欧洲保护区的使用:SWING项目

IF 0.6 0 MUSIC
Benjamin Redman
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引用次数: 1

摘要

本文中的研究报告了SWING项目,这是一项由欧洲音乐学院、音乐学院和音乐学院(AEC)发起的关于在音乐学院之间使用LoLa(低延迟视听流)进行器乐教学的定性案例研究。LoLa是一个软件包,允许音乐家通过高质量的音频实时同步表演和互动,这是目前标准视频会议平台无法实现的。LoLa是一种相对较新的技术,关于它在器乐教学中的有效性研究有限。2019年初,LoLa技术在奥地利、意大利和斯洛文尼亚的三个保护区进行了试验。对音乐教师、学生和技术人员进行了后续采访,以了解他们使用该技术的经历,教学中发生了什么变化,并确定LoLa在音乐学院教学的潜力和局限性。试验参与者报告对该系统总体满意,许多人对其高质量感到惊讶。研究结果表明,LoLa可以通过促进不同音乐学院师生之间的同步互动来扩大艺术发展的可能性。这些可能性包括一对一的课程、集体大师班、考试,以及与其他机构的音乐家同步排练和表演的机会。这与当前的研究一致,该研究要求重新评估传统的一对一音乐学院录音室课程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Evaluating the use of LoLa in European conservatoires: The SWING project
The research presented in this article reports on the SWING project, a qualitative case study initiated by The Association Européenne des Conservatoires, Académies de Musique et Musikhochschulen (AEC) into the use of LoLa (low-latency audio-visual streaming) for instrumental music teaching between conservatoires. LoLa is a software package that allows musicians to perform and interact together synchronously in real-time with high-quality audio, something not currently possible with standard videoconferencing platforms. LoLa is a relatively new technology and there is limited research available on how effective it is when used for instrumental music teaching. Trials of LoLa technology were conducted in three conservatoires in Austria, Italy and Slovenia in early 2019. Follow-up interviews were conducted with music teachers, students and technicians to understand their experiences of using the technology, what changes took place in the teaching, and to determine the potential and limitations of LoLa for teaching in conservatoires. Participants in the trials reported overall satisfaction with the system, with many being surprised at the high quality. The findings showed that LoLa can expand the possibilities for artistic development by facilitating synchronous interaction between teachers and students in different conservatoires. These possibilities include one-to-one lessons, group masterclasses, examinations, and opportunities to rehearse and perform synchronously with musicians from other institutions. This aligns with current research which calls for a reappraisal of the traditional one-to-one conservatoire studio lesson.
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CiteScore
1.40
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