克莱门特·帕尔马、卡洛斯·托罗和1910年哈雷彗星的通过:灾难、回文和寓言

IF 0.1 0 LITERATURE, ROMANCE
Juan Herrero-Senés
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引用次数: 0

摘要

摘要:本文比较了写于1910年前后的两部拉美科幻小说:克莱门特·帕尔马的《El día trágico》和卡洛斯·托罗的《El dieciocho de mayo》。两者都利用1910年5月哈雷彗星在地球附近经过的真实事件来制作城市启示录小说,预测对人类的有害后果。在将这些故事置于历史背景中之后,我强调了它们是如何促进宇宙灾难的跨国文学传统的,依赖于灭绝和“最后幸存者”故事的典型叙事策略,并融入了一种可预见未来社会某些特征的后发视角。这些特征与解读彗星作为社会变革的隐喻相结合,产生了可以被解释为现代世俗化进程的寓言式评论的混合作品。这些故事让我们得以一窥作者面对现代化的个人焦虑,并最终表明他们无法想象未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Clemente Palma, Carlos Toro y el paso del cometa Halley en 1910: catástrofe, palingenesia y alegoría
ABSTRACT:This article compares two Latin American science fiction stories written around the year 1910: “El día trágico” by Clemente Palma and “El dieciocho de mayo” by Carlos Toro. Both use the real event of the passage of Halley’s Comet near the Earth in May 1910 to produce urban apocalyptic fictions that predict deleterious consequences for humanity. After contextualizing the stories historically, I highlight how they contribute to a transnational literary tradition of cosmic disasters, rely on discursive strategies typical of the narratives of extinction and “last survivor” stories, and incorporate a palingenetic perspective where some of the features of a future society are envisioned. The combination of these traits with a reading of the comet as a metaphor for social change results in hybrid works that can be interpreted as allegorical commentaries of the modern process of secularization. The stories offer us a glimpse into the individual anxieties of the authors facing modernization and ultimately show their inability to imagine the future.
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来源期刊
Revista Hispanica Moderna
Revista Hispanica Moderna LITERATURE, ROMANCE-
CiteScore
0.10
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发文量
11
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