在洛卡之后:杰克·斯派塞和费德里科·加西亚之间的回忆与魔术

IF 1 4区 社会学 Q2 ANTHROPOLOGY
Signs and Society Pub Date : 2019-09-01 DOI:10.1086/704635
R. E. Shoemaker
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引用次数: 0

摘要

本文将通过费德里科·加西亚·洛尔卡(Federico García Lorca。斯派塞在《洛尔卡之后》一书中与加西亚·洛尔卡进行了交流,斯派塞认为这本书通过翻译直接引导了这位诗人及其充满魔力的诗学。在斯派塞的作品中,怀旧和致敬是试图将作家与通灵的对象——作者认同的“同类”人——统一起来。想象或引导类似作家进入对话的行为为斯派塞和其他像他一样的人提供了与创造力的直接联系,他们以酷儿魔法的方式写作,以创造和延续与性世界的谱系和联系,尽管时间和空间遥远。在García Lorca和Spicer的作品中揭示这一观点,可以更深入、更具同理心地重读作为酷儿诗人和对魔术写作感兴趣的诗人。这同样鼓励了当代研究酷儿谱系的亲属对这些作家进行更深入、更全面的模仿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
After After Lorca: Anamnesis and Magic between Jack Spicer and Federico García Lorca
This essay will examine the work of Jack Spicer through the lens of Federico García Lorca’s homages and his concept of the dark earth inspiration called duende to explore the bonds created through imagined lovers, mostly looking at works proposing relationship through affect, apostrophe, and homoerotics. Spicer communicated with García Lorca in his book After Lorca, which Spicer saw as a direct channeling of the poet and his magic-imbued poetics via translation. In Spicer’s work, anamnesis and homage are attempts to unify the writer with the object of channeling—the “same-like” person with whom the author identifies. The act of imagining or channeling a similar writer into conversation provides a direct link to creativity for Spicer and others like him, who write in the vein of queer magic in order to create and perpetuate lineage and connection to the sexual world despite distances of time and space. Uncovering this perspective within the writings of García Lorca and Spicer allows a deeper and more empathetic rereading of both as queer poets and poets interested in writing-as-magic. This likewise encourages a deeper and fuller imitation of these writers by contemporary kin working into queer lineages.
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来源期刊
Signs and Society
Signs and Society Multiple-
CiteScore
1.70
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0.00%
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14
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