当下的音乐：二十四位专业的自由形式音乐家如何体验代理感和即兴创作的精神状态

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2022-05-27 DOI:10.1080/09298215.2023.2192411

William Ashley Sol

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引用次数: 0

摘要

对音乐即兴创作的研究已被证明是心理学和音乐学研究中一个非常有价值的课题。这项定性研究问道：音乐家在自由即兴创作的同时，如何体验代理感和精神状态？二十四位自由形式音乐专家（Morris，2012年。永恒的边界：自由音乐的特性。Riti）表演了简短的自由即兴表演，通过半结构化访谈和主题分析进行了探索。参与者报告说，他们的能动性很低，意识思维很少，在直觉的指导下做出身体动作或行动的决定，以及能动性增强的时刻。关于专注当下意识的频繁报道表明即兴创作和正念之间有相似之处。

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Music in the moment: how twenty-four expert free form musicians experienced sense of agency and an improvisational state of mind

Study of musical improvisation has proven a significantly worthwhile topic of psychological and musicological research. This qualitative study asked: How do musicians experience sense of agency and state of mind while freely improvising? Twenty-four experts in free form music (Morris, 2012. Perpetual frontier: The properties of free music. Riti) performed short free improvisations that were explored via semi-structured interviews and thematic analysis. Participants reported low sense of agency, minimal conscious thought, and decisions experienced as body-doing or action guided by intuition, as well as moments of increased agency. Frequent reports of focused present-moment awareness suggest parallels between improvisation and mindfulness.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.