{"title":"“我一直在说她的名字”:大卫·福斯特·华莱士早期写作中的命名、标签和力量","authors":"Clare Hayes-Brady","doi":"10.16995/ORBIT.181","DOIUrl":null,"url":null,"abstract":"Among the most immediately striking features of David Foster Wallace’s writing is his use of names. Ranging from broad comedy to philosophical and cryptic signposting, the ways Wallace names his characters, and, just as significantly, the ways his characters name themselves and each other, are central to the development of identity, and to the appropriation and exercise of power. The forms and relationships of nomination in Wallace’s fiction speak to a range of his primary artistic concerns, and a reading of these interactions sheds light on both the intricate narrative structures and the grounding ideologies of his writing. This essay traces some of the patterns in these nominative practices, arguing that an onomastic reading of Wallace’s work traces the sometimes less than clear connection between the broad comic style that marks his early work in particular and the profound philosophical engagement undertaken throughout his career.","PeriodicalId":37450,"journal":{"name":"Orbit (Cambridge)","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2017-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"“I Kept Saying Her Name”: Naming, Labels and Power in the Early Writing of David Foster Wallace\",\"authors\":\"Clare Hayes-Brady\",\"doi\":\"10.16995/ORBIT.181\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Among the most immediately striking features of David Foster Wallace’s writing is his use of names. Ranging from broad comedy to philosophical and cryptic signposting, the ways Wallace names his characters, and, just as significantly, the ways his characters name themselves and each other, are central to the development of identity, and to the appropriation and exercise of power. The forms and relationships of nomination in Wallace’s fiction speak to a range of his primary artistic concerns, and a reading of these interactions sheds light on both the intricate narrative structures and the grounding ideologies of his writing. This essay traces some of the patterns in these nominative practices, arguing that an onomastic reading of Wallace’s work traces the sometimes less than clear connection between the broad comic style that marks his early work in particular and the profound philosophical engagement undertaken throughout his career.\",\"PeriodicalId\":37450,\"journal\":{\"name\":\"Orbit (Cambridge)\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-03-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Orbit (Cambridge)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.16995/ORBIT.181\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Orbit (Cambridge)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/ORBIT.181","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
“I Kept Saying Her Name”: Naming, Labels and Power in the Early Writing of David Foster Wallace
Among the most immediately striking features of David Foster Wallace’s writing is his use of names. Ranging from broad comedy to philosophical and cryptic signposting, the ways Wallace names his characters, and, just as significantly, the ways his characters name themselves and each other, are central to the development of identity, and to the appropriation and exercise of power. The forms and relationships of nomination in Wallace’s fiction speak to a range of his primary artistic concerns, and a reading of these interactions sheds light on both the intricate narrative structures and the grounding ideologies of his writing. This essay traces some of the patterns in these nominative practices, arguing that an onomastic reading of Wallace’s work traces the sometimes less than clear connection between the broad comic style that marks his early work in particular and the profound philosophical engagement undertaken throughout his career.
期刊介绍:
Orbit: Writing Around Pynchon is a journal that publishes high quality, rigorously reviewed and innovative scholarly material on the works of Thomas Pynchon, related authors and adjacent fields in 20th- and 21st-century literature. We publish special and general issues in a rolling format, which brings together a traditional journal article style with the latest publishing technology to ensure faster, yet prestigious, publication for authors.