回忆录与媒体:阿南特·辛格在当代南非的人物

IF 0.2 0 FILM, RADIO, TELEVISION
K. Tomaselli
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引用次数: 0

摘要

阿南特·辛格是南非最多产的电影制片人。2021年,他的回忆录出版,引发了人们对这一类型的评估,并将其与已发表的学术研究以及当代南非电影制作人、广播电台和电视台撰写的其他一些传记和自传联系起来。本文将辛格的故事作为一个框架窗口,通过它与其他此类作品建立联系,包括20世纪80年代初至2021年对媒体行业本身的研究。在自传很少提供自我反射分析的地方,本文试图促进不同媒体人物之间的对话,同时挖掘一些隐藏的文字记录,这些文字记录本身就为职业实践提供了一些启示。这篇文章描绘了一些潜在的结构条件,不同的评论家必须在这些条件下工作,他们对这些条件进行了有趣的评论,在这里被视为他们生活经历的潜在例证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Memoir and media: Anant Singh’s personage in contemporary South Africa
Anant Singh is South Africa’s most prolific film producer. The publication of his memoirs in 2021 occasioned an assessment of this genre in relation to published scholarly research and some other biographies and autobiographies written by contemporary South African filmmakers, radio and television broadcasters. This article mobilizes the Singh story as a framing window through which to make connections with other such works, including studies on the media industry itself, from the early 1980s to 2021. Where autobiographies rarely offer self-reflexive analyses, this article attempts to facilitate a dialogue between different media personalities while simultaneously excavating some hidden transcripts that themselves cast some light on professional practices. The article sketches some of the underlying structural conditions within which the various commentators had to work and on which they comment anecdotally, here examined as latent illustrations of their lived experience.
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来源期刊
Journal of African Cinemas
Journal of African Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.
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