{"title":"劳伦斯修士的忏悔录:通过网络摄像头的镜头看莎士比亚","authors":"Emma Paton","doi":"10.1093/adaptation/apac021","DOIUrl":null,"url":null,"abstract":"\n A review of Friar Lawrence’s Confessional, a digital adaptation produced by Creation Theatre, discusses how the adaptation utilises the Zoom online conferencing platform as both a stage and setting for the performance, varying between ‘showing’ and ‘telling’ modes to retain both the narrative of the source text (William Shakespeare’s Romeo and Juliet) and the central conceit of the production: that the audience is viewing the Friar through his webcam.","PeriodicalId":42085,"journal":{"name":"Adaptation-The Journal of Literature on Screen Studies","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2023-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Friar Lawrence’s Confessional: Shakespeare through the lens of a webcam\",\"authors\":\"Emma Paton\",\"doi\":\"10.1093/adaptation/apac021\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n A review of Friar Lawrence’s Confessional, a digital adaptation produced by Creation Theatre, discusses how the adaptation utilises the Zoom online conferencing platform as both a stage and setting for the performance, varying between ‘showing’ and ‘telling’ modes to retain both the narrative of the source text (William Shakespeare’s Romeo and Juliet) and the central conceit of the production: that the audience is viewing the Friar through his webcam.\",\"PeriodicalId\":42085,\"journal\":{\"name\":\"Adaptation-The Journal of Literature on Screen Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-02-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Adaptation-The Journal of Literature on Screen Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/adaptation/apac021\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Adaptation-The Journal of Literature on Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/adaptation/apac021","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Friar Lawrence’s Confessional: Shakespeare through the lens of a webcam
A review of Friar Lawrence’s Confessional, a digital adaptation produced by Creation Theatre, discusses how the adaptation utilises the Zoom online conferencing platform as both a stage and setting for the performance, varying between ‘showing’ and ‘telling’ modes to retain both the narrative of the source text (William Shakespeare’s Romeo and Juliet) and the central conceit of the production: that the audience is viewing the Friar through his webcam.