{"title":"蜡树脂衬里技术:Edson Motta在福格保护中心的培训及其对巴西现实的适应","authors":"M. Paiva, Marian Aguiar, E. Vieira","doi":"10.14568/cp2019015","DOIUrl":null,"url":null,"abstract":"After Edson Motta’s graduation from the Fogg Conservation Center, his experience contributed to the practice of conservation in Brazil through the introduction of new materials and the technique of wax-resin lining. However, this technique has drawbacks when applied in a country of tropical climate and few resources. It is important, when considering the use of this approach, to be mindful of the conservator’s historical role, which can reveal why this technique was, very likely, the best choice for the conservation of the vast patrimony of canvas paintings in Brazil.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2020-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Wax resin lining techniques: Edson Motta’s training at the Fogg Conservation Center and its adaptation to the Brazilian reality\",\"authors\":\"M. Paiva, Marian Aguiar, E. Vieira\",\"doi\":\"10.14568/cp2019015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"After Edson Motta’s graduation from the Fogg Conservation Center, his experience contributed to the practice of conservation in Brazil through the introduction of new materials and the technique of wax-resin lining. However, this technique has drawbacks when applied in a country of tropical climate and few resources. It is important, when considering the use of this approach, to be mindful of the conservator’s historical role, which can reveal why this technique was, very likely, the best choice for the conservation of the vast patrimony of canvas paintings in Brazil.\",\"PeriodicalId\":55942,\"journal\":{\"name\":\"Conservar Patrimonio\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-11-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Conservar Patrimonio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14568/cp2019015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservar Patrimonio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14568/cp2019015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Wax resin lining techniques: Edson Motta’s training at the Fogg Conservation Center and its adaptation to the Brazilian reality
After Edson Motta’s graduation from the Fogg Conservation Center, his experience contributed to the practice of conservation in Brazil through the introduction of new materials and the technique of wax-resin lining. However, this technique has drawbacks when applied in a country of tropical climate and few resources. It is important, when considering the use of this approach, to be mindful of the conservator’s historical role, which can reveal why this technique was, very likely, the best choice for the conservation of the vast patrimony of canvas paintings in Brazil.
期刊介绍:
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.