Cinema Memories: A People’s History of Cinema-going in 1960s Britain

race and class but does not spend much time analysing the difference in roles or experiences between senior and junior diplomats. Given the focus on the van Kleffens, it is not necessary, and ultimately, the book is a wonderful addition to the small literature on gender and diplomacy in this period. The last section on how diplomacy finds like-minded souls could also be said of diplomatic history. Any scholar of western diplomacy, particularly those interested in women’s experiences in the post-war period, will find this a fascinating read.