佩德罗·阿尔莫多瓦的欲望法则中的自恋和不信任（1987年）

Q4 Arts and Humanities

Bulletin of Spanish Visual Studies Pub Date : 2023-01-02 DOI:10.1080/24741604.2023.2166741

Darren Waldron

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引用次数: 0

摘要

摘要Pedro Almodóvar的第一部英文电影《人声》（2021）改编自Jean Cocteau的《人类之声》（1930），这部电影已经启发了他早期的两部电影：《La ley del deseo》（1987）和《Mujeres al borde de un ataque de nervios》（1988）。本文借鉴法国大陆哲学，探讨了La ley del deseo是如何处理自恋、恶意、互惠和存在可用性等主题的，这些主题已经出现在Cocteau的作品中。此外，该结论认为，La ley del deseo可以被解读为预言性的，因为它关于自我吸收的论述在今天仍然引起共鸣。

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Narcissism and Bad Faith in Pedro Almodóvar’s La ley del deseo (1987)

Abstract Pedro Almodóvar’s first film in English, The Human Voice (2021), was adapted from Jean Cocteau’s La Voix humaine (1930), which had already inspired two of his earlier films: La ley del deseo (1987) and Mujeres al borde de un ataque de nervios (1988). Drawing on French continental philosophy, this article examines how La ley del deseo approaches the themes of narcissism, bad faith, reciprocity and existential availability, which were already present in Cocteau’s work. Additionally, the conclusion argues that La ley del deseo can be read as prophetic in that its discourse on self-absorption still resonates today.

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来源期刊

Bulletin of Spanish Visual Studies Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

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