2010年至2015年流行音乐40强中的Codetta和Anthem Postchorus类型

IF 0.4 2区艺术学 0 MUSIC

Music Theory Online Pub Date : 2022-06-01 DOI:10.30535/mto.28.2.9

C. Stroud

{"title":"2010年至2015年流行音乐40强中的Codetta和Anthem Postchorus类型","authors":"C. Stroud","doi":"10.30535/mto.28.2.9","DOIUrl":null,"url":null,"abstract":"In this article, I present two broad types of postchoruses determined according to the rhetorical role of closing material and the particular placement of buildup and climax over the course of the chorus and postchorus. The codetta-type postchorus is characterized as an independent section of music featuring closing material that follows the attainment of closure in the chorus. The anthem-type postchorus is an independent and climactic section of music that follows a building chorus. For this study, 1335 Top-40 songs from 2010 to 2015 were surveyed. Of these songs, 13.3% had a postchorus. Examples discussed in this article include “Roar” by Katy Perry (2013), “Undo It” by Carrie Underwood (2010), “Party Rock Anthem” by LMFAO (2011), “I Need Your Love” by Calvin Harris ft. Ellie Goulding (2012), “La La La” by Naughty Boy ft. Sam Smith (2013), and “Animals” by Maroon 5 (2014).","PeriodicalId":44918,"journal":{"name":"Music Theory Online","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Codetta and Anthem Postchorus Types in Top-40 Pop from 2010 to 2015\",\"authors\":\"C. Stroud\",\"doi\":\"10.30535/mto.28.2.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article, I present two broad types of postchoruses determined according to the rhetorical role of closing material and the particular placement of buildup and climax over the course of the chorus and postchorus. The codetta-type postchorus is characterized as an independent section of music featuring closing material that follows the attainment of closure in the chorus. The anthem-type postchorus is an independent and climactic section of music that follows a building chorus. For this study, 1335 Top-40 songs from 2010 to 2015 were surveyed. Of these songs, 13.3% had a postchorus. Examples discussed in this article include “Roar” by Katy Perry (2013), “Undo It” by Carrie Underwood (2010), “Party Rock Anthem” by LMFAO (2011), “I Need Your Love” by Calvin Harris ft. Ellie Goulding (2012), “La La La” by Naughty Boy ft. Sam Smith (2013), and “Animals” by Maroon 5 (2014).\",\"PeriodicalId\":44918,\"journal\":{\"name\":\"Music Theory Online\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Theory Online\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30535/mto.28.2.9\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Theory Online","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30535/mto.28.2.9","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}

引用次数: 1

摘要

在这篇文章中，我提出了两种广泛的后喜剧类型，这两种类型是根据结尾材料的修辞作用以及在合唱和后喜剧过程中集结和高潮的特殊位置而确定的。codetta类型的后合唱是一个独立的音乐部分，以合唱结束后的结束材料为特色。国歌类型的后合唱是一个独立的音乐高潮部分，跟随建筑合唱。在这项研究中，对2010年至2015年的1335首40强歌曲进行了调查。在这些歌曲中，13.3%的歌曲带有后和弦。本文讨论的例子包括Katy Perry（2013）的《咆哮》、Carrie Underwood（2010）的《撤消它》、LMFAO（2011）的《派对摇滚圣歌》、Calvin Harris ft的《我需要你的爱》、Ellie Goulding（2012）的《La La La》、Naughty Boy ft的Sam Smith（2013）和Maroon 5的《动物》（2014）。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Codetta and Anthem Postchorus Types in Top-40 Pop from 2010 to 2015

In this article, I present two broad types of postchoruses determined according to the rhetorical role of closing material and the particular placement of buildup and climax over the course of the chorus and postchorus. The codetta-type postchorus is characterized as an independent section of music featuring closing material that follows the attainment of closure in the chorus. The anthem-type postchorus is an independent and climactic section of music that follows a building chorus. For this study, 1335 Top-40 songs from 2010 to 2015 were surveyed. Of these songs, 13.3% had a postchorus. Examples discussed in this article include “Roar” by Katy Perry (2013), “Undo It” by Carrie Underwood (2010), “Party Rock Anthem” by LMFAO (2011), “I Need Your Love” by Calvin Harris ft. Ellie Goulding (2012), “La La La” by Naughty Boy ft. Sam Smith (2013), and “Animals” by Maroon 5 (2014).

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Music Theory Online MUSIC-

CiteScore

1.70

自引率

25.00%

发文量

审稿时长

42 weeks

期刊介绍： Music Theory Online is a journal of criticism, commentary, research and scholarship in music theory, music analysis, and related disciplines. The refereed open-access electronic journal of the Society for Music Theory, MTO has been in continuous publication since 1993. New issues are published four times per year and include articles, reviews, commentaries, and analytical essays. In addition, MTO publishes a list of job opportunities and abstracts of recently completed dissertations.