为巴勒斯坦呐喊:拉科鲁尼亚巴勒斯坦俱乐部的智利足球支持者的声音练习和巴勒斯坦的想象

IF 0.2 1区艺术学 0 MUSIC

Ethnomusicology Forum Pub Date : 2021-05-04 DOI:10.1080/17411912.2021.1939754

Luis Achondo

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引用次数: 2

摘要

摘要Palestino是一支由巴勒斯坦移民于1916年在智利成立的足球队。这篇文章探讨了一群没有巴勒斯坦血统的巴勒斯坦支持者是如何理解他们足球迷的声音实践的。我认为，他们将自己的发声概念化为一种想象，在这种想象中，巴勒斯坦在中东的经历以斗争和韧性为标志。虚拟的亲巴勒斯坦形象让他们想象以色列-巴勒斯坦冲突必须在国外的巴勒斯坦人中激起的抵抗感——他们试图在发声中巩固这种体验，以在声音上统治对手，为巴勒斯坦加油，表达对巴勒斯坦的声援和提高对巴勒斯坦的认识。除了突出非公开政治性声音的潜力和限制外，文章还展示了声乐表达的可供性，将跨国元素与当地实践捆绑在一起，并通过表演占据由此产生的想象空间。

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A cry for Palestine: vocal practice and imaginaries of Palestinian-ness among Chilean football supporters of Club Deportivo Palestino

ABSTRACT Palestino is a football team founded by Palestinian immigrants in Chile in 1916. This article examines how a group of Palestino supporters with no Palestinian heritage understand their sonic practices of football fandom. I argue that they conceptualise their vocalisations as indexing an imaginary wherein the Palestinian experience in the Middle East is marked by struggle and resilience. Disjunctive pro-Palestine images have led them to imagine the feeling of resistance that the Israeli-Palestinian conflict must stir up among Palestinians abroad – an experience they seek to ground in their vocalisations in order to sonically dominate rivals, cheer for Palestino, and express solidarity with and raise awareness about Palestine. In addition to foregrounding the potentials and constraints of sounds that are not overtly political, the article demonstrates the affordances of vocal expressions to bundle transnational elements with local practices and inhabit the resulting imaginative space via performance.

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来源期刊

Ethnomusicology Forum MUSIC-

CiteScore

1.10

自引率

25.00%

发文量

期刊介绍： Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.