{"title":"Fakir Mohan Senapati的Atmacharita:章节自传，历史和内在","authors":"Umasankar Patra","doi":"10.1353/bio.2021.0049","DOIUrl":null,"url":null,"abstract":"Abstract:In this essay, I revisit the original autobiography of Fakir Mohan Senapati (1848–1918), serialized as Atmacharita in 1918. Navigating its complex textual history, I argue that Atmacharita, the first Odia autobiography, is a unique experiment in Indian lifewriting practice. Senapati produces an episodic autobiography written in the idiom of a memoir that sets up a triad of fiction, autobiography, and history, engendering a discourse of ordinariness.","PeriodicalId":45158,"journal":{"name":"BIOGRAPHY-AN INTERDISCIPLINARY QUARTERLY","volume":"44 1","pages":"541 - 560"},"PeriodicalIF":0.3000,"publicationDate":"2022-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Fakir Mohan Senapati's Atmacharita: Episodic Autobiography, History, and Interiority\",\"authors\":\"Umasankar Patra\",\"doi\":\"10.1353/bio.2021.0049\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In this essay, I revisit the original autobiography of Fakir Mohan Senapati (1848–1918), serialized as Atmacharita in 1918. Navigating its complex textual history, I argue that Atmacharita, the first Odia autobiography, is a unique experiment in Indian lifewriting practice. Senapati produces an episodic autobiography written in the idiom of a memoir that sets up a triad of fiction, autobiography, and history, engendering a discourse of ordinariness.\",\"PeriodicalId\":45158,\"journal\":{\"name\":\"BIOGRAPHY-AN INTERDISCIPLINARY QUARTERLY\",\"volume\":\"44 1\",\"pages\":\"541 - 560\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-06-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BIOGRAPHY-AN INTERDISCIPLINARY QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/bio.2021.0049\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BIOGRAPHY-AN INTERDISCIPLINARY QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/bio.2021.0049","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Fakir Mohan Senapati's Atmacharita: Episodic Autobiography, History, and Interiority
Abstract:In this essay, I revisit the original autobiography of Fakir Mohan Senapati (1848–1918), serialized as Atmacharita in 1918. Navigating its complex textual history, I argue that Atmacharita, the first Odia autobiography, is a unique experiment in Indian lifewriting practice. Senapati produces an episodic autobiography written in the idiom of a memoir that sets up a triad of fiction, autobiography, and history, engendering a discourse of ordinariness.
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