{"title":"维克托·瓦斯涅佐夫与十九世纪末二十世纪初的俄罗斯白银","authors":"K. Pronitcheva","doi":"10.1163/2211730x-12341337","DOIUrl":null,"url":null,"abstract":"\nThe article is dedicated to objects in precious metal made after Viktor Vasnetsov’s designs at the turn of the twentieth century. It discusses several creations known to be by Vasnetsov, and others which are likely to be attributable to him. The collaboration between Vasnetsov and Russian silversmiths such as Postnikov, Ovchinnikov, and Fabergé is analyzed on the basis of letters preserved in the collections of the State Tretyakov Gallery and the Viktor Vasnetsov Museum in Moscow, and newspaper reports of the period. The following artworks are discussed in detail, with special attention paid to the history of their creation: two presentational dishes of 1896, one for the Coronation of Emperor Nicholas II and one for the “All-Russian Industrial and Art Exhibition” of Nizhnii Novgorod, the khorugv (religious banner) for the coffin of Emperor Alexander III, the presentational dish of 1902 for French President Emile Loubet, the bronze and enamel iconostasis for the Cathedral of St. George in the town of Gus-Khrustalnyi, and the so-called “Ivan Kalita” bowl.","PeriodicalId":41469,"journal":{"name":"Experiment-A Journal of Russian Culture","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/2211730x-12341337","citationCount":"0","resultStr":"{\"title\":\"Viktor Vasnetsov and Russian Silver of the Late Nineteenth and Early Twentieth Centuries\",\"authors\":\"K. Pronitcheva\",\"doi\":\"10.1163/2211730x-12341337\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThe article is dedicated to objects in precious metal made after Viktor Vasnetsov’s designs at the turn of the twentieth century. It discusses several creations known to be by Vasnetsov, and others which are likely to be attributable to him. The collaboration between Vasnetsov and Russian silversmiths such as Postnikov, Ovchinnikov, and Fabergé is analyzed on the basis of letters preserved in the collections of the State Tretyakov Gallery and the Viktor Vasnetsov Museum in Moscow, and newspaper reports of the period. The following artworks are discussed in detail, with special attention paid to the history of their creation: two presentational dishes of 1896, one for the Coronation of Emperor Nicholas II and one for the “All-Russian Industrial and Art Exhibition” of Nizhnii Novgorod, the khorugv (religious banner) for the coffin of Emperor Alexander III, the presentational dish of 1902 for French President Emile Loubet, the bronze and enamel iconostasis for the Cathedral of St. George in the town of Gus-Khrustalnyi, and the so-called “Ivan Kalita” bowl.\",\"PeriodicalId\":41469,\"journal\":{\"name\":\"Experiment-A Journal of Russian Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-09-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1163/2211730x-12341337\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Experiment-A Journal of Russian Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/2211730x-12341337\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Experiment-A Journal of Russian Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/2211730x-12341337","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Viktor Vasnetsov and Russian Silver of the Late Nineteenth and Early Twentieth Centuries
The article is dedicated to objects in precious metal made after Viktor Vasnetsov’s designs at the turn of the twentieth century. It discusses several creations known to be by Vasnetsov, and others which are likely to be attributable to him. The collaboration between Vasnetsov and Russian silversmiths such as Postnikov, Ovchinnikov, and Fabergé is analyzed on the basis of letters preserved in the collections of the State Tretyakov Gallery and the Viktor Vasnetsov Museum in Moscow, and newspaper reports of the period. The following artworks are discussed in detail, with special attention paid to the history of their creation: two presentational dishes of 1896, one for the Coronation of Emperor Nicholas II and one for the “All-Russian Industrial and Art Exhibition” of Nizhnii Novgorod, the khorugv (religious banner) for the coffin of Emperor Alexander III, the presentational dish of 1902 for French President Emile Loubet, the bronze and enamel iconostasis for the Cathedral of St. George in the town of Gus-Khrustalnyi, and the so-called “Ivan Kalita” bowl.