开罗埃及博物馆一件晚期多件卡通的分析研究

IF 0.2 0 ARCHAEOLOGY
A. M., A. M., Abou Seif, N.
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引用次数: 4

摘要

:埃及博物馆地下室的储藏条件恶劣,这是一个可追溯到晚期(公元前780年至公元前332年)的未知多件木乃伊盒严重损坏的原因。这具木乃伊由五块分开的画布支撑物组成(一个面具、一个胸脯、一条围裙、一个胃和一只脚),顶部是一层用绿色、黄色、红色、黑色和白色装饰的底层和一层镀金层。木乃伊纸箱的所有碎片都有破损,表现为画布支撑层分离、开裂、变色、撕裂和脆性。本文介绍了对木乃伊盒各层结构的检验和分析研究结果。因此,使用了光学显微镜(LOM)、可见光、扫描电子显微镜(SEM)、EDX、傅立叶变换红外光谱(FTIR)、X射线衍射(XRD)和XRF光谱。结果表明,由四层薄纤维形式的亚麻制成的帆布支架用于口罩、胃部和围裙。相比之下,在其他作品(面具、脚和胸脯)中使用了一层厚纤维帆布。底层由碳酸钙、微量石膏和石英组成。绘画层包括埃及绿、孔雀石、赤铁矿、针铁矿、带雌黄的针铁矿、石墨,以及在绿色、红色和黄色颜料下方的埃及蓝底层,采用了独特的技术,尤其是胸脯和脚部。还注意到,动物胶在所有颜料和颜色中都被用作粘合介质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
AN ANALYTICAL STUDY OF A LATE PERIOD MULTI-PIECE CARTONNAGE FROM THE EGYPTIAN MUSEUM IN CAIRO
: The poor conditions of storage in the basement of the Egyptian Museum were the reason for severe damage to an unknown multi-piece mummy cartonnage dating back to the Late Period (780 BC-332 BC). This mummy consists of five separated pieces (a mask, a pectoral, an apron, a stomach , and a foot) on canvas support topped by a ground layer decorated with green, yellow, red, black, and white colors and a gilded layer . All the pieces of the mummy cartonnage have damage in the form of separations, cracks, discoloration, tears, and brit tleness in the layers of the canvas support. The research paper presents the result of an examination and analytical study for the layers' structure of the mummy cartonnage. Therefore, the Optical Microscope (LOM), visible light, Scanning Electronic Microscope (SEM), EDX, Fourier Transform Infrared Spectroscopy (FTIR), X-Ray Diffraction (XRD), and XRF Spectroscopy were used. The results showed that canvas support made of linen in the form of four layers of thin fiber was used in the mask, stomach, and apron pieces . In contrast, one layer of thick fiber canvas was used in other pieces (mask, foot, and pectoral). The ground layer consisted of calcium carbonate, traces of gypsum, and quartz. The painted layer included Egyptian green, malachite , hematite, goethite, goethite with orpiment, graphite, and under layer of Egyptian blue below the green, red, and yellow pigments in a unique technique, especially in the pectoral and foot pieces. It was also noted that animal glue was used in all pigments and colors as a binding medium.
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来源期刊
CiteScore
0.40
自引率
50.00%
发文量
12
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