20世纪30年代葡萄牙的现代主义与动画话语——以内格雷罗斯为例

IF 0.3 2区 艺术学 0 FILM, RADIO, TELEVISION
M. Soares
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引用次数: 0

摘要

葡萄牙现代主义领袖若泽·德·阿尔玛达·内格雷罗斯(1893-1970)经常与电影互动,尤其被动画所吸引。1927年至1932年,Almada在马德里的逗留期间,他的视觉作品中出现了一场魔术灯笼表演和剪贴动画的回声,而他在里斯本举行的《白雪公主与七个小矮人》首映式上对迪士尼的介绍是葡萄牙接受动画的一个里程碑。在当前艺术史争论的基础上,本文以《阿拉木图》为例,重建周边国家接受动画的历史。同时,它强调了跨学科的重要性,历史与理论的交织,以及档案研究的支持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Modernism and Discourses on Animation in 1930s Portugal: The Case of José de Almada Negreiros
The leading Portuguese modernist José de Almada Negreiros (1893–1970) often interacted with cinema and was particularly captivated by animation. While Almada’s stay in Madrid – from 1927 to 1932 – was marked by a magic lantern show and echoes of cut-out animation in his visual works, his presentation on Disney at the premiere of Snow White and the Seven Dwarfs in Lisbon is a milestone of the reception of animation in Portugal. Drawing upon current art historiographical debates, this article addresses the case of Almada as a way to reconstruct the history of the reception of animation in peripheral countries. Simultaneously, it highlights the importance of interdisciplinarity, the intertwinement between history and theory, as well as the support of archival research.
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来源期刊
Animation-An Interdisciplinary Journal
Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
25.00%
发文量
19
期刊介绍: Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
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