《复仇者联盟3:无限战争》和《复仇者联盟4:终局之战》中物种灭绝的故事

Q2 Social Sciences
Sophie Dungan
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引用次数: 0

摘要

本文将两部漫威电影宇宙(MCU)电影《复仇者联盟:无限战争》()和《复仇者同盟:终局之战》()与它们所依据的漫威漫画书进行对话。正如这篇文章所表明的那样,在对Thanos和部分物种灭绝事件的描述中,这些电影与原始材料有很大的偏离,以反映当代文化的兴趣和对现实世界物种灭绝威胁日益增长的焦虑。然而,正如本文所说,《复仇者联盟:无限战争》和《复仇者同盟:终局之战》的生态批判潜力有限,部分原因是反派在更广泛的超级英雄电影和漫画书中扮演的角色。局限性也要归功于以人类为中心的观点,这种观点为大多数超级英雄小说提供了支持。超级英雄作为社会秩序的维护者可能具有保守的功能,但正如本文所示,在《复仇者联盟:无限战争》和《复仇者同盟:终局之战》以及此后MCU系列的电影和电视剧中,这种功能往往损害了对自然和人类以外物种的保护。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Storying species extinction in Avengers: Infinity War and Avengers: Endgame
This article places two Marvel Cinematic Universe (MCU) films, Avengers: Infinity War () and Avengers: Endgame (), in dialogue with the Marvel comic books on which they are based. As this article demonstrates, in their depiction of Thanos and the partial species extinction event, the films deviate substantially from their source material to reflect a contemporary cultural interest and growing anxiety over the real-world threat of species extinction. However, as this article argues, Avengers: Infinity War’s and Avengers: Endgame’s ecocritical potential are limited, owing partly to the villain’s role in superhero films and comic books more broadly. Limits also owe to the anthropocentric viewpoint that underwrites much of superhero fiction. Superheroes may serve a conservative function as an upholder of the social order, but, as this article shows, in Avengers: Infinity War and Avengers: Endgame, as well as films and television series in the MCU set thereafter, this function often comes at the detriment of the conservation of nature and species-other-than-human.
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来源期刊
Australasian Journal of Popular Culture
Australasian Journal of Popular Culture Social Sciences-Cultural Studies
CiteScore
0.70
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