“SM女王”诞生：Tani Naomi在Nikkatsu Roman Porno中的明星形象

Journal of Japanese and Korean Cinema Pub Date : 2019-01-02 DOI:10.1080/17564905.2019.1586068

Mio Hatokai

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引用次数: 0

摘要

摘要本文的主人公塔妮·娜奥米是《罗马波诺》中最著名的明星之一，在20世纪70年代全盛时期出演了30部电影。被戏称为“SM女王”的她因在SM单声道（即SM主题电影）中的表演而被人们铭记。然而，在学术上，她从未得到应有的关注。这篇文章可以说是第一次试图揭示塔尼作为罗曼·波诺的独特明星。它首先关注她的早期职业发展，因为自20世纪60年代末以来，她一直是粉色电影中的重要人物，与日本地下SM圈子有着密切的联系。然后讨论了她在《罗曼·波诺》中的前两部SM单声道，即《花与蛇》和《将要牺牲的妻子》（均为1974年），认为她通过这两部电影塑造的银幕形象构成了她的明星形象的重要组成部分。仔细阅读这两部电影，并分析粉色电影/罗曼·波诺的副文本，将讲述她作为“SM女王”的明星形象是如何构建的。

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The ‘Queen of SM’ is Born: the star image of Tani Naomi in Nikkatsu Roman Porno

ABSTRACT The subject of this article, Tani Naomi, is one of the most famous stars of Roman Porno, appearing in 30 films in its heyday in the 1970s. Nicknamed the ‘Queen of SM’, she is still remembered for her performances in SM-mono, that is, SM-themed films. Academically, however, she has never received the attention she deserves. This article is arguably the first attempt to shed light on Tani as a unique star of Roman Porno. It first focuses on her early career development as she had been a prominent figure in pink films since the late 1960s with a strong connection to Japan’s underground SM circle. It then discusses her first two SM-mono in Roman Porno, namely, Flower and Snake and Wife to Be Sacrificed (both 1974), arguing that the screen persona she created through these two films constitute a substantial part of her star image. Close reading of both films and analysis of pink film/Roman Porno paratexts will give an account of how her star image as the ‘Queen of SM’ was constructed.

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来源期刊

Journal of Japanese and Korean Cinema Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Journal of Japanese and Korean Cinema is a fully refereed forum for the dissemination of scholarly work devoted to the cinemas of Japan and Korea and the interactions and relations between them. The increasingly transnational status of Japanese and Korean cinema underlines the need to deepen our understanding of this ever more globalized film-making region. Journal of Japanese and Korean Cinema is a peer-reviewed journal. The peer review process is double blind. Detailed Instructions for Authors can be found here.