[P] CHAS: 20世纪60年代秘鲁电声作曲中的土著传统参考

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2017-12-01 DOI:10.1162/LMJ_a_01026

Renzo Filinich Orozco

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引用次数: 0

摘要

本文回顾了20世纪60年代秘鲁电声音乐的创作实践，探讨了当时影响音乐和新技术的方法和来源。因此，它通过在这些实践中使用的民间和传统音乐元素来探索当地的表达方式以及国家和地区身份。从跨文化的角度对这些曲目的分析，为秘鲁实验艺术和音乐的历史和独创性，以及秘鲁民族音乐学提供了新的线索。

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TA [P] CHAS: References to Indigenous Traditions in Peruvian Electroacoustic Composition of the 1960s

This article reviews the compositional practice of Peruvian electroacoustic music in the 1960s, to investigate the methods and sources of influence on music and new technologies of that time. It therefore explores local expressions and national and regional identities through elements of folk and traditional music used in these practices. The analysis of this repertoire, from a cross-cultural perspective, sheds new light on the history and originality of experimental art and music in Peru, as well as on Peruvian ethnomusicology.

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.