在宇宙的中心:Niyi Osundare的《A Song for Olosunta》中的神圣时空

IF 0.3 4区 文学 0 LITERATURE
Chukwunwike Anolue
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引用次数: 0

摘要

时间和自然是两个相互交织的概念。它们是如此不可分割,以至于每个空间事件都有一个时间索引,反之亦然。在一个空间里,除了某个时间,什么都不会发生;除了在一个空间里,任何事情都不会在一个时间发生。对于尼日利亚诗人尼伊·奥森达雷来说,时间和空间在他的作品中占据着突出的位置,但评论家在分析他的诗歌时往往会优先考虑其中一个,而忽略另一个。Osundare还经常将他出生和长大的尼日利亚西南部小镇Ikere Ekiti的万物有灵论神灵诗意化。他用诗歌作为崇拜神灵的媒介。本文研究了时间和自然与一位万物有灵论的伊凯雷·埃基提神的关系。它融合了生态批评和时间分析,为《献给奥洛桑塔的歌》(A Song for Olosunta)提供了线索,这首歌是一首赞美诗,唤起了一年一度的节日,以纪念奥伦代尔和他的Ikere Ekiti万物有灵论者所崇拜的石器时代的神奥洛桑塔。在诗中所刻的一年一度的节日背景下,我将神视为一个生态和时间的象征,强调了他的神殿与其周围环境之间的差异;以及在他的时代景观和神殿外的时代景观之间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In the Centre of the Cosmos: Sacred Spacetime in Niyi Osundare’s ‘A Song for Olosunta’
Abstract Time and nature are two intertwined concepts. They are so inseparable that there is a temporal index to every spatial event and vice versa. Nothing happens in a space except at a time; neither does anything happen at a time except in a space. For the Nigerian poet, Niyi Osundare, time and space occupy a prominent place in his oeuvre, but critics tend to privilege one and ignore the other in their analyses of his poetry. Osundare also frequently poetizes animist deities of Ikere-Ekiti, the town in Southwest Nigeria where he was born and raised. He uses his poetry as a medium to worship the deities. This paper is a study of time and nature in relation to an animist god of Ikere-Ekiti. It fuses ecocriticism and temporal analysis to shed light on ‘A Song for Olosunta,’ a panegyric which evokes an annual festival in honour of Olosunta, a lithic god worshipped by Osundare and his fellow Ikere-Ekiti animists. Against the background of the annual festival inscribed in the poem, I examine the god as an ecological and temporal icon, highlighting the differences between his shrine and its surroundings; and between his timescape and the timescape outside the shrine.
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CiteScore
0.60
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