连续影响评分任务对不熟悉艺术音乐聆听时间的影响

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-01-04 DOI:10.1080/09298215.2020.1867588

John R. Taylor, R. Dean

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引用次数: 3

摘要

我们的目标是提高用户对陌生音乐的参与度。我们调查了来自澳大利亚音乐中心(AMC)图书馆的100首不熟悉的艺术音乐的聆听时长，这些音乐在四种不同的曝光条件下呈现:连续影响反应任务、文本/照片信息、只有文本和没有信息。参与者可以跳过每个项目，并提供节选后的喜欢度或熟悉度评分。听力持续时间、喜欢度和熟悉度的时间序列分析模型显示，尽管用户喜欢度和熟悉度对听力持续时间有正向预测作用，但对连续项目的喜欢度和熟悉度并没有增加。数据证实，将听众的注意力引导到识别情感上可以提高他们对不熟悉音乐的参与度。

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Influence of a continuous affect ratings task on listening time for unfamiliar art music

We aim to increase user engagement in unfamiliar music. We investigated listening duration for 100 unfamiliar art music items from the Australian Music Centre (AMC) library, presented under four different exposure conditions: a continuous affect response task, text/photographic information, text only, and no information. Participants could skip each item, and provided post-excerpt liking or familiarity ratings. Time-series analysis models of listening duration, liking, and familiarity, showed no increase in successive item liking or familiarity, although user liking and familiarity, positively predicted listening duration. The data confirm that directing listeners’ attention to discerning affect can enhance their engagement with unfamiliar music.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.