早期美国主日学校Tunebooks:Laboratories for Public School Music

IF 0.2 0 MUSIC
P. Sanders
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引用次数: 0

摘要

在美国引入免费公共教育之前的几年里,早期的非宗派主日学校提供拼写、阅读、写作和歌唱方面的指导。本研究探讨主日学作为公立学校音乐教育的实验室。最早的几本主日学校的调音书包括理论介绍和音乐阅读的基本指导,就像后来的早期学校歌曲书一样。三本早期的调音书将被考虑,E.奥斯本的主日学校音乐书(1826),埃兹拉·巴雷特的安息日学校赞美诗(1828)和小埃兰·艾夫斯的美国主日学校赞美诗(1832)。在每一种情况下,将讨论在音轨书中介绍的各种“实验”。其中一些实验在公立学校被拒绝,但另一些却具有持久的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Early American Sunday School Tunebooks: Laboratories for Public School Music
Early nonsectarian Sunday Schools provided instruction in spelling, reading, writing, and singing in the years prior to the introduction of free, public education in the United States. This study explores the Sunday school as a laboratory for public school music education. Several of the first Sunday school tunebooks included theoretical introductions with elementary instruction in music reading much like the early school songbooks that followed. Three early tunebooks will be considered, E. Osborn’s The Sunday School Music Book (1826), Ezra Barrett’s Sabbath School Psalmody (1828), and Elam Ives, Jr’s American Sunday-School Psalmody (1832). In each case, the various “experiments” introduced in the tunebooks will be discussed. Some of these experiments were rejected in the public schools, but others had lasting importance.
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CiteScore
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